Time for détenté? Stephen Thomas Erlewine: "After some 32 years, I have been laid off from Xperi, whose music editorial database is featured on Allmusic. I enjoyed working there and will miss having steady work. If you have any leads or opportunities, let me know. I'm open to writing, editing and consulting." https://x.com/sterlewine/status/1818341610763018393. Chris, this could be another story in itself. He has written so many reviews, but as a recent article about Pitchfork talked about, when you can access all of the world's music for a low monthly price, do you really need reviews? Reviews mattered when weighing the use of limited funds towards musical decisions. There was a high cost for regret.
That is absolutely wild. (We worked on this syndication before it happened, obviously.) His uncle started AllMusic 35 years ago. So for them to let him go is truly something.
Crazy story...and I would have never known about it except for this article. After all, why on our still semi-green earth would I be checking for Bryan Adams reviews, LOL!
I used to write album reviews for all music.com in the 1990's. At that time int was a useful database with album reviews that were well written and useful. Today it is mere shell of its former incarnation. It is pop up ads. I hardly ever use it anymore. I just happened to read about the history of allmusic.com a few days ago.
Thanks for turning me on to Tedium. The article about cassingles was right up my alley. https://tedium.co/2024/07/27/music-industry-cassette-single-cassingle-history/
It’s one of the best newsletters around
This made me LOL: "Adams had released 11 albums before he made AllMusic’s name into something of a lie."
Time for détenté? Stephen Thomas Erlewine: "After some 32 years, I have been laid off from Xperi, whose music editorial database is featured on Allmusic. I enjoyed working there and will miss having steady work. If you have any leads or opportunities, let me know. I'm open to writing, editing and consulting." https://x.com/sterlewine/status/1818341610763018393. Chris, this could be another story in itself. He has written so many reviews, but as a recent article about Pitchfork talked about, when you can access all of the world's music for a low monthly price, do you really need reviews? Reviews mattered when weighing the use of limited funds towards musical decisions. There was a high cost for regret.
That is absolutely wild. (We worked on this syndication before it happened, obviously.) His uncle started AllMusic 35 years ago. So for them to let him go is truly something.
Crazy story...and I would have never known about it except for this article. After all, why on our still semi-green earth would I be checking for Bryan Adams reviews, LOL!
I'm happy to say that I read the original story on Tedium and I also recommend the newsletter.
I used to write album reviews for all music.com in the 1990's. At that time int was a useful database with album reviews that were well written and useful. Today it is mere shell of its former incarnation. It is pop up ads. I hardly ever use it anymore. I just happened to read about the history of allmusic.com a few days ago.
I'm always fascinated by this kind of petty BS. Heh heh. Another question that should be answered: "Why isn't Tom Wilson in the RNR HoF?"
Saw Bryan Adams last summer. He crushed.
Never been to allmusic.com ...